England, 1813: As Ariana Forsythe plans her wedding, she must adjust to the realization that she will soon become the wife of an extremely wealthy man. She wonders if it’s wrong to rejoice that her future husband is rich. But, she promises herself to use her new position to do what she can to aid the numerous street waifs she sees all too often in London. During a tour of her future home-the house in Grosvenor Square-Ariana impulsively makes plans to redecorate (just a little) according to her tastes . But when Philip arrives home later, he is informed that an expensive silver candlestick and a miniature portrait of George III have gone missing. Moreover, each time Ariana visits the house, another item disappears.

When Ariana suffers an abduction attempt by two villains, and other mysterious goings-on are unexplained, Mr. Mornay must unravel the mystery of who is after her, and why. He knows he has to prevent any harm from befalling his future bride, even if it means he must keep her under lock and key in his own house!

Romance, suspense, and a deft touch of humor are part of the wonderful story of Philip Mornay and Ariana Forsythe’s march to the altar. Fans of Linore’s first book, Before the Season Ends, will love this delightful addition to the Regency Inspirational Series, as will all readers of historical romance.

Georgette Heyer and Jane Austen books gave me a love for the period, and there weren’t any Christian regencies to be found. I wanted to change that.

I think they’re both amalgamations of people I’ve read about and/or known. All of my characters are very real for me, so I suppose I’ve had to pull them from the world in some way or other.

England in the 1800s is a world away from the 21st century. Times have changed, but people haven’t. Men and women of the time were concerned with their appearances, their finances, their futures, finding the right spouse, and so on, just as we are, today. How they went about pursuing these ends is where all the difference lies, however, and this is precisely where the interest and adventure opens up for writers; We get to bring to life the means and methods of everyday life and timeless concerns from the regency. It is fun and enlightening as a glimpse into the past, but readers can also identify with the basic human need to be genuinely loved for oneself, no matter the setting or time period, and to be certain of one’s convictions concerning life, eternity, and faith. Having said that, it is good to remind modern readers that valuing one’s purity can be mainstream, as it was then; or that the struggle to find a true love and a sense that one’s life has value, has always been a human issue.

What do you hope readers will take away from your books?

I hope my readers will feel as though they’ve been transported to the Regency for a good, satisfying visit; While they’re visiting, they’ll be reminded that God is involved in their life, and that happy endings are possible for everyone.

I don’t think most regencies are written with this comparison in mind at all. However, other people say my book is “Austen-like.” That is a huge compliment, and one I would love to live up to.

Right now I’m working on my third book in the series,The Country House Courtship. I have a few more regencies in mind also, which I hope to have published after TCHC.

Country House is the third book in the Regency Series, and gives one of the minor characters from the first books her own “day in the spotlight,” her own romance. It begins about five years later (about 1818) and sees Mr. O’Brien (a curate, now) to a happy marriage of his own.

Novelists sometimes dig themselves into a hole over implausible plots, flat characters, or a host of other problems. What’s the most difficult part of writing for you (or was when you first started on your novel journey)?

I think for me the biggest challenge was to believe that I could write a novel in small increments. As a mom of five, four of whom are still home year-round (one is in college), having frequent interruptions is a fact of life. Writing takes a concentration so deep so that when I first started doing scenes, I would find myself getting woozy after standing up. I was shocked at the level of exertion it took to use my brain that hard, I guess! It happens less now–I guess I’ve grown accustomed to it. And I’ve learned to appreciate those small blocks of time. Ten minutes in a waiting room can yield a part of a scene I couldn’t get done at home. Every little bit counts. I don’t despise small beginnings. There are times when I’m in a deep level of involvement with a story or a character, and then getting interrupted can break the mood; but I’m getting better all the time at picking up where I left off, no matter how deeply I’ve got to dive to get back into the character or situation. For people like me with busy households, this is a must-have ability. I believe it can be the difference between making that deadline or not.

Some authors report writing 5-10 thousand words a day. Do scenes flow freely from your veins, or do you have to tweeze each word out?

In general, I write more than I need and later have to cut back. I don’t use a word count, but I may set a goal of one chapter a day or two chapters for a busy week. Other times, I don’t think in terms of chapters at all, just events. I may break an event down into four scenes, say, and so my goal for that day will be to get the whole event on paper. In other words, finish the four scenes. Life changes so rapidly with the children, that for me, a hard and fast writing goal just wouldn’t work. And, I focus on results, not time spent. Instead of, “Now I’ll write for three hours,” I say, “Now I’ll have this or that happen to a character, or, ‘I’ll show a different side to this person.” When I have accomplished that goal, no matter how long it took, I feel satisfied, and only then.